Phrases and notes are essentially melodies to me. Often that can mean driving things a bit harder.”ĭeadly Kiss is a great example of how you leave a lot of space around your phrases when you solo. When I’m writing it, I can hear the sound I want, but when it comes to adding bass and drums in there, sometimes you have to tweak what you thought you wanted to ensure a better fit. Do you hear the sound in your head and search for it, or do you find a sound by trial and error? The guitar sound that opens No More Worlds to Conquer has a really detailed, almost chewy tone. “Another thing I do is to change my strings quite often I don’t do many hours on a set of strings. I think the secret to the warmth of tone that I get, whilst still retaining the clarity, is due to a combination of heavy strings, a high action and the pickups themselves on my signature Strats. “That was done on the neck pickup I’d say about 90 percent of the guitar parts on the album were done on that pickup. I think the secret to the warmth of tone that I get, whilst still retaining the clarity, is due to a combination of heavy strings, a high action and the pickups themselves on my signature Stratsīall of Fire has a great groove and a really warm sound. I had so much time on my hands, being unable to do anything else during lockdown, that I was able to write enough songs for my next two albums.” “A lot of the album was, except for four songs I recorded in September last year. Once Richard was onboard, I started to write some songs that were way out of my range, because I knew he’d be able to handle them and do a terrific job.” “There were about four songs on the album where I had recorded the vocals myself, but after Richard had recorded some tracks, it seemed an obvious idea to get him to redo the vocals for the four that I’d sung on. Did you demo the songs with your own vocals?
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